Sculpture

My work is inspired by abstract expressionism, by my heritage as a Jewish-feminist and by the major social change movements of the last sixty years. I use branches and saplings from local woodlands to root myself in the earth.

 

Forest Birth

Forest Birth

2018

29″W x 39″L x 5’H

maple stripped of bark, red osier dogwood, willow, birch, mixed roots,
winter bleached beech leaves, paper, stains, paint. Photos by Jay York.

Forest Birth, detail
 

Untitled

Untitled, wood sculpture
 
Untitled, wood sculpture

7’W x 5.5’D x 6’H

red cedar and rhododendron, roofing tar

2018

Young people aged 15 and under are invited to submit a name for the dragon on my sculpture page. If your name for the dragon is selected you will receive a small gift. Rolling deadline up to October 1.

 

Brief Sanctuary


Brief Sanctuary

Measurements: 5′ L x 4.5′ D x 6.5′ H

sustainably harvested maple, apple, and ash wood, dye

2017

 

Forgiveness: Selichot


Offering

Measurements: 22″W x 24″H x 6″D

Mixed hard woods, fiber, gold leaf

2016

Selichot is a prayer for forgiveness, part of a series of rituals and actions at the beginning of the Jewish New Year, designed to encourage relationship mending on all levels. “Forgiveness: Selichot”, uses ribbons from the 2007 installation “Teshuvah” to create a small sculpture about the preciousness of relationships and about the generosity of spirit that is needed to keep them flourishing.

photo: Jay York

 

Offering

Offering

 

24″ W x 4″ D x 22″ High

sustainably harvested maple wood and dogwood, dyes, inks, thread, archival paper

2015

Visitors to the 2015 Maine Jewish Film Festival and to Art Kibbutz NY for the 2015 Shmita ARTFest in New York City, were invited to answer the following question: “WHAT ACT OF HEALING WILL YOU COMMIT TO AND OFFER TO YOUR CREATOR/ TO YOUR PLANET/ TO YOUR UNIVERSE?” Their answers are woven into the sculpture.

photo: Jay York

 

Deer with Ethnic Roots

Offering

approximately: 5’H x 4’W x 3’D

locally harvested wood, locally woven traditional MUONG cotton cloth.

This work was part of my 2015 ECOArt Residency at Muong Studio in Hoa Binh, Vietnam. It references the presence there, to this day, of an ancient culture of human beings on land that once, long ago, belonged to deer and other animals. In the American/Vietnam war much forest was ruined. As an American, I am deeply sad for this loss, and for the effects of chemical warfare on Vietnam and on the planet we now share, no longer as enemies, but as co-inhabitants, who want the land and its creatures to flourish for many generations to come. Photos by Long Hoàng

Offering

 

L’ Shanot: Change

L'Shanot: Change

L'Shanot detail width=

7′ W x 4′ H x 2.5′ Deep

mixed local, sustainably harvested hardwood, stained

2013

Based on the Hebrew letter shin and its myriad meanings and symbolisms.

photos: Aaron Flacke

 

Miriam’s Vessel

Miriam's Basket

 

Miriam's Vessel

willow in random weave

L 5′ x W 2.5′ x H 2′

2012

photos: Jay York

 

Dwelling Place framework

Sukkah

University of New England Gallery Garden 2012

Dimensions 9′ H x variable size walls
up to 14′ W x 15.5′ L

locally resourced mixed hardwood saplings

 

How Beautiful Are Thy Tents

Friendship II

mixed hardwoods, dye, mixed fiber

7.5′ H x 7′ W x 6.5′ D

2012

above photo: Jay York

 

Friendship II : #2 & #6

Friendship II

hardwoods; recycled plastic bags; cut, braided, bound

8′ L x 4′ W x 4′ H

2010 – 2011

Friendship II : #3 & #5


Friendship II

hardwoods; recycled plastic bags; cut, braided, bound

7′ L x 4′ W x 7′ H

2011

see also Public Art and Installation page

 

Basket Form I

Basket

Mixed woods and tree bark

42″ H x 54″‘ W x 46″‘ D

2009

 

Shall We Fight or Dance

Shall We Fight or Dance

 

Shall We Fight or Dance

Shall We Fight or Dance

Rhododentron, pine, yellow barberry, stains

h 5′ x 9’10” w x 4’6″ d

2008

 

Chair Series

Chairs whisper to me; they evoke ideas and memories. Chairs shape inter-actions between people; they have their own power. Most of us have had a favorite chair somewhere in our lives. Each of these chairs was inspired by a found object or material.

Tree Chair

tree chair

mixed local hardwoods and resin

h 57″ w 33″ d 28″

2013

Promise

flying chair

found chair, twigs, fiber, paint

h 31″ w 39″ d 40″

2006

crone

tree chair

locally harvested oak, cherry, birch, walnut

h 51″ w 25″ d 23″

This is functional sculpture, recreating the experience of sitting in a tree, bark under your fingers – a tangible connection to the earth. 2006

above chair photographs by Jay York

‘mad’ housewife

mixed metals, found objects

h 39″ w 21″ d 21″

2005

The experience of being a wife in a society, which still does not believe in equality. Being seduced by shiny gadgets, which are supposed to shorten the work, and to somehow make up for the isolation and fatigue which, no matter how rewarding the partnership, often come with the role.

 

Family Dispossessed

Objects found at RR tracks near homeless encampment: wood, steel, roofing tar, resin

5’7″ h x approx. 4’w x 3’d

Part of a series inspired by people who have experienced homelessness. For history and process see “Kaddish for the Dispossessed” 2007