My sculpture is inspired by my heritage as a Jewish Feminist and by 6,000 years of stories, traditions, ethics, humor, and values in my culture. Working with materials that are still recognizably made from trees, or are mostly recycled, repurposed, and sustainable, keeps me grounded and reminds me of my connection to this blue planet, which hosts us all.


Origins of A People

Book with Pomegrante
Book with Pomegrante, detail


45″W x 47″H x 23″D

Applewood, maple, mahogany, dyes.

Photos by Jay York.


Eye of the Beholder



24″H x 4.5″D x 18″L

Felted wool, wood bark pecked by sapsucker birds, found objects.

Photos by Jay York.

Mask, detail

“Do You Think About War and Genocide Too?” details of work currently in progress

Do You Think About War and Genocide Too? Work in Progress


48″H x 36″W x 25″L

Mixed locally harvested hard woods (including beech and ironwood), stains.

Photos by Jay York.

Do You Think About War and Genocide Too? Work in Progress, detail

Lilith’s Nest

Bowl with Stick


12″H x 9.5″D x 12″L

Felted merino wool, rhododendron, applewood, dye.

Photo by Jay York.


Forest Birth

Forest Birth


29″W x 39″L x 5’H

maple stripped of bark, red osier dogwood, willow, birch, mixed roots,
winter bleached beech leaves, paper, stains, paint. Photos by Jay York.

Forest Birth, detail


Untitled, wood sculpture
Untitled, wood sculpture

7’W x 5.5’D x 6’H

red cedar and rhododendron, roofing tar



Brief Sanctuary

Brief Sanctuary

Measurements: 5′ L x 4.5′ D x 6.5′ H

structural framework: sustainably harvested maple, apple, and ash wood, dye



Forgiveness: Selichot


Measurements: 22″W x 24″H x 6″D

Mixed hard woods, fiber, gold leaf


Selichot is a prayer for forgiveness, part of a series of rituals and actions at the beginning of the Jewish New Year, designed to encourage relationship mending on all levels. “Forgiveness: Selichot”, uses ribbons from the 2007 installation “Teshuvah” to create a small sculpture about the preciousness of relationships and about the generosity of spirit that is needed to keep them flourishing.

photo: Jay York





24″ W x 4″ D x 22″ High

sustainably harvested maple wood and dogwood, dyes, inks, thread, archival paper


Visitors to the 2015 Maine Jewish Film Festival and to Art Kibbutz NY for the 2015 Shmita ARTFest in New York City, were invited to answer the following question: “WHAT ACT OF HEALING WILL YOU COMMIT TO AND OFFER TO YOUR CREATOR/ TO YOUR PLANET/ TO YOUR UNIVERSE?” Their answers are woven into the sculpture.

photo: Jay York


Deer with Ethnic Roots


approximately: 5’H x 4’W x 3’D

locally harvested wood, locally woven traditional MUONG cotton cloth.

This work was part of my 2015 ECOArt Residency at Muong Studio in Hoa Binh, Vietnam. It references the presence there, to this day, of an ancient culture of human beings on land that once, long ago, belonged to deer and other animals. In the American/Vietnam war much forest was ruined. As an American, I am deeply sad for this loss, and for the effects of chemical warfare on Vietnam and on the planet we now share, no longer as enemies, but as co-inhabitants, who want the land and its creatures to flourish for many generations to come. Photos by Long Hoàng



L’ Shanot: Change

L'Shanot: Change

7′ W x 4′ H x 2.5′ Deep

mixed local, sustainably harvested hardwood, stained


Based on the Hebrew letter shin and its myriad meanings and symbolisms.

photos: Aaron Flacke

L'Shanot detail width=


Miriam’s Vessel

Miriam's Basket

willow in random weave

L 5′ x W 2.5′ x H 2′


photos: Jay York

Miriam's Vessel


Dwelling Place framework


University of New England Gallery Garden 2012

Dimensions 9′ H x variable size walls
up to 14′ W x 15.5′ L

locally resourced mixed hardwood saplings


How Beautiful Are Thy Tents

Friendship II

mixed hardwoods, dye, mixed fiber

7.5′ H x 7′ W x 6.5′ D


above photo: Jay York


Friendship II : #2 & #6

Friendship II

hardwoods; recycled plastic bags; cut, braided, bound

8′ L x 4′ W x 4′ H

2010 – 2011

Friendship II : #3 & #5

Friendship II

hardwoods; recycled plastic bags; cut, braided, bound

7′ L x 4′ W x 7′ H


see also Public Art and Installation page


Basket Form I


Mixed woods and tree bark

42″ H x 54″‘ W x 46″‘ D



Shall We Fight or Dance

Shall We Fight or Dance


Shall We Fight or Dance

Shall We Fight or Dance

Rhododentron, pine, yellow barberry, stains

h 5′ x 9’10” w x 4’6″ d


top photo: David Gillis

bottom two photos: Aaron Flacke


Chair Series

Chairs whisper to me; they evoke ideas and memories. Chairs shape inter-actions between people; they have their own power. Most of us have had a favorite chair somewhere in our lives. Each of these chairs was inspired by a found object or material.

Tree Chair

tree chair

mixed local hardwoods and resin

h 57″ w 33″ d 28″



flying chair

found chair, twigs, fiber, paint

h 31″ w 39″ d 40″



tree chair

locally harvested oak, cherry, birch, walnut

h 51″ w 25″ d 23″

This is functional sculpture, recreating the experience of sitting in a tree, bark under your fingers – a tangible connection to the earth. 2006

above chair photographs by Jay York

‘mad’ housewife

mixed metals, found objects

h 39″ w 21″ d 21″


The experience of being a wife in a society, which still does not believe in equality. Being seduced by shiny gadgets, which are supposed to shorten the work, and to somehow make up for the isolation and fatigue which, no matter how rewarding the partnership, often come with the role.


Family Dispossessed

Objects found at RR tracks near homeless encampment: wood, steel, roofing tar, resin

5’7″ h x approx. 4’w x 3’d

Part of a series inspired by people who have experienced homelessness. For history and process see “Kaddish for the Dispossessed” 2007